Once you’ve clicked the Upload button to store your settings on Creative Cloud, you can access them on another machine by signing in with your Adobe ID. Photoshop even keeps track of when your last upload occurred.
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Technically, you don’t really sync settings any more, you merely upload them to-or download them from-Creative Cloud using the handy buttons shown here. Both these settings are turned on straight from the factory.įigure 1-13. Adobe simplified the sync-settings process in the latest version of Photoshop, and added the ability to upload any custom workspaces that you’ve saved (page 12). “Snap Vector Tools and Transforms to Pixel Grid” causes new vector shapes and paths to automatically snap to Photoshop’s pixel grid, ensuring precise alignment when you’re designing graphics for the Web.
For example, “Vary Round Brush Hardness based on HUD vertical movement” means that dragging up or down with your mouse while changing paint color with the on-image (HUD) color picker ( Painting from Scratch) changes the brush’s hardness if you’d rather have that motion change opacity instead, turn this checkbox off. The other noteworthy options in the General preferences have to do with painting and drawing vectors (Chapters Chapter 12 and Chapter 13, respectively). If your computer is running at a snail’s pace, try turning off one or both features (they can really tax slower video cards). Other notable options here involve a couple of cool features: animated zoom and flick panning (both covered in Chapter 2). Will it always choose wisely? Only you can tell. Back in CS6, Adobe added the Automatic option, which tells Photoshop to pick the method that it thinks will work best for your image. The Image Interpolation menu controls the mathematical voodoo Photoshop performs when you resize an image with the Image Size dialog box ( The Mighty Image Size Dialog Box) or the Crop tool ( The Crop Tool). See Painting from Scratch for more on using the HUD Color Picker. (HUD is short for “heads-up display.”) It’s also available in a variety of shapes and sizes (strip or wheel in small, medium, and large), and you can choose among ’em here. The HUD Color Picker setting refers to the on-image color picker you can summon when using a tool that paints, such as the Brush tool. However, since the Adobe Color Picker is designed to work with Photoshop and all its built-in options, using another color picker may mean losing quick access to critical features like Color Libraries ( Loading Color Libraries).
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If you download and install third-party color pickers, they show up in this menu, too. If you’re more comfortable using your operating system’s color picker instead, you can choose it from the Color Picker drop-down menu. Unless you tell it otherwise, Photoshop displays the Adobe Color Picker (see Choosing Individual Colors) anytime you choose a color.
It’s also a great way to bring an assistant or coworker up to speed on your workflow.
This is an invaluable tool for folks who need to prove what they’ve done to an image in order to bill clients or produce legal documentation of all the edits they’ve made (think law enforcement professionals and criminal investigators). If you turn on History Log, Photoshop keeps track of everything you do to the document. Figure 1-12. The General preferences include the incredibly powerful History Log settings.
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